I have been thinking something lately, it seems like modern Star Trek is lacking seriously in soul. The dash, fun, and feels. I mean it seems as though its just shoot everything in a war zone and hope you learn something when the every series previous even those not as well like had a soul to them. For example you'll never get a TNG "Data's Day" episode again in modern Trek or a "Worst Case Scenario" Voyager episode. Where you genuinely tell that there is a glue that holds them together. DS9 was full of them, fun loving sitcom style episodes that make it seem like these are real 3 Dimensional people. You will certainly never see a "The Sound of Her Voice" DS9 episode again. The movies are all flash and no feel, Generations certainly wasn't a fan favorite but when Kirk died it hit you like a photon to the gut. Wrath of Kahn the same way but over time Kirk's death in Generations still hits me, unlike Spock's (because we know he comes back). As you grow up with these characters and appreciate them as an adult you realize just how lucky you were to have had them when you were young. Discovery completely lacks the magic that made the 24th Century Star Trek series so cool. Picard I have a feeling will do a ton of fan service without a soul, and Picard's ironically is the man I would argue is the most soulful character of any ST series. Take "Family" or "Lessons" for example.
Enough with the shoot'em up and more with the feels. We are NOT Star Wars.....for a reason. Leave the pew pew to the idiots with the laser swords.
[SIGPIC][/SIGPIC] "This planet smells, it must be the Klingons"
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Norway and Yeager dammit... I still want my Typhoon and Jupiter though.
JJ Trek The Kelvin Timeline is just Trek and it's fully canon... get over it. But I still prefer TAR.
#TASforSTO
'...I can tell you that we're not in the military and that we intend no harm to the whales.' Kirk: The Voyage Home
'Starfleet is not a military organisation. Its purpose is exploration.' Picard: Peak Performance
'This is clearly a military operation. Is that what we are now? Because I thought we were explorers!' Scotty: Into Darkness
'...The Federation. Starfleet. We're not a military agency.' Scotty: Beyond
'I'm not a soldier anymore. I'm an engineer.' Miles O'Brien: Empok Nor
'...Starfleet could use you... It's a peacekeeping and humanitarian armada...' Admiral Pike: Star Trek
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The Orville tries to emulate that style and for that I very much love it. The first season though was destroyed by critics, simply because the whole format was not modern and got slammed mercilessly. The audience, however, liked it and SUDDENLY the second season gets good (professional) critic scores again. I very much hope Picard takes a slower approach (also simply due to Sir Stewart's age) because I personally prefer that as well.
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TOS:"For the World Is Hollow, and I Have Touched the Sky" (great character moments for McCoy) is given its impetus by the fact that the generation ship the Enterprise has found, and which McCoy wants to stay aboard because he's dying, is headed to impact a star. Soon.
And of course TOS:"Amok Time", which tells us more about both Spock and Vulcan than any other episode, ends with a fight apparently to the death between Spock and Kirk.
I think you're longing for a past that never really was.
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https://www.youtube.com/watch?v=3ahF9gKKS8w
Just one instance. At some other point, there are Klingons literally talking upside down to the high council.
I get that you like to be dismissive, but please be realistic. And maybe don't talk in absolutes. I recognize not every scene is like that, but by saying "hardly" I'm not saying it is the case
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I'd say Discovery has made use of quite a few things.
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My character Tsin'xing
There's no point arguing with Azrael, he's just a contrarian. You'll have a better time having a proper discussion with other forum goers.
Again, those episodes were created in different times in different worlds. There was no netflix then and even the internet was not what it is today. The audiences were different, you and me were the audience and we'd watch the episodes when they aired.... we had to.... these days the audience has netflix/hulu and i think cbs has something simular and the shows have to compete for the (rather shorter due to the massive overload of content competing for it) attention of the viewer who's watching the eps when, where and how they want it, if they want it. It's the generation that has youtube, facebook and the rest of the internet they have to convince to watch the show, not you and me. And i have to admit that i like very different kinds of entertainment than 99% of everyone more than 10 years older than me.
So there
We’ll allways have “Plato’s Stepchildren” Sigh…. That last line makes me wish I had decided not to respond to this post, and feel sorry for you tbh.
It is not a constant helicopter nor is it stylistic only when it would serve a dramatic necessity but it is off putting. The cinematic style of series 2 exacerbates this by using film style aspect ratios, lense shapes, and both series have issues with not focusing on the shipporn on offer despite the stunning models of both Starfleet and Klingon ships made. And series 1 has a painful blue filter saturating everything and series 2 is too dark.
The idea it has lost it's 'soul' is laughable stupid. Nostalgia is a powerful drug that makes one loose all objectivity and the idea that Trek prior to 2018 (or 2009, or 2002 or whenever your own subjective line is drawn between 'classic' and 'modern' Trek) is significantly different in any way beyond the fact that you haven't had 30 to 50 years to build it into your identity, is just wrong.
ENT was cancelled but contained all the elements it has always had, the KT series was cancelled but contained all the elements of the other films, and DSC is two series in to a run of unknown length and has every element the series has always had. If you can't see past the filming style then that's your problem, not CBS'.
I find it very difficult to watch black and white media or old media with very poor special effects (Doctor Who being the only one I've persevered with) but I don't cast aspersions upon their tone, emotion, plot or anything else I'm not able to judge because I can't get over the superficial (i.e. the filming style).
Unless you're prepared to actually watch DSC properly and not just lazily regurgitate the circlejerk or whatever opinion you think you can form from watching it with your eyes half closed then what's the point of this thread? People who are as lazy as you are going to automatically agree, and people who have watched it will suddenly double down in its defence, ignoring it's issues. You've not presented anything compelling, you've not found a new objective measure of the franchise as a whole. You've just drawn an arbitrary line separating the franchise in two and declared the first half to 'have soul' and the second half to 'not have soul'. You've not looked for counter examples on either side of your arbitrary line. You've not watched the show/s on the second half of your arbitrary line. And you've not said what is wrong with 'Star Wars style Pew Pew'.
0/10, lack of effort or original work.
Norway and Yeager dammit... I still want my Typhoon and Jupiter though.
JJ Trek The Kelvin Timeline is just Trek and it's fully canon... get over it. But I still prefer TAR.
#TASforSTO
'...I can tell you that we're not in the military and that we intend no harm to the whales.' Kirk: The Voyage Home
'Starfleet is not a military organisation. Its purpose is exploration.' Picard: Peak Performance
'This is clearly a military operation. Is that what we are now? Because I thought we were explorers!' Scotty: Into Darkness
'...The Federation. Starfleet. We're not a military agency.' Scotty: Beyond
'I'm not a soldier anymore. I'm an engineer.' Miles O'Brien: Empok Nor
'...Starfleet could use you... It's a peacekeeping and humanitarian armada...' Admiral Pike: Star Trek
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I didn't say Discovery invented it, but the constant movement of the camera even during simple conversations is something recent filming techniques heavily emphasize. And to me it is really annoying and makes me motion sick while watching on my TV, not on a big cinema screen in the dark. To me, this changes the paste and heavily taints my enjoyment of the show which yes, has other problems, but I was just talking about the filming and factors that come with it. I'd really wish that "criticizes Discovery" would not equal "Has not seen it" in your book. The same technique is used on at least one other action scene on the bridge, where the people shout status reports and the camera rotates along with them, it's terrible. Whether or not this is what you would call "spinning" is irrelevant, as I mean what I showed with the linked clip. If you are simply dismissive of criticism ("none of this applies to Discovery" because you simply call it by another term), don't expect a well meaning debate about it.
This was completely uncalled for, and highly presumptuous on your part. I honestly didn't expect this behaviour from you. It's... disappointing.
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Some others are truly unique though, such as Saru and Pike. A couple more relations (not necessarily romantic ones) would be nice indeed.
I grew up with Voyager and later Enterprise, so Kirk's death did not do much for me.