I'll introduce myself, my name is Dwight Huth aka "Dryson Bennington." Two years about this same time I broke and split my ring finger open while working at a demolition site. Going through the arduous task of dealing with the Ferengi employer and his Compensation Broker, I came out the victor. It would seem that the Compensation Broker seen more value in the Ferengi's reputation being tarnished. What ever the Ferengi had done someone else profited greatly from his status being lowered. But enough about Ferengi's, otherwise they will come running. After receiving m credits from the Compensation Broker I returned to Earth about a transport. While enroute back to Earth I had wild dreams of what I could do with the credits. Although a lot, the credits weren't enough to even purchase passage on a Klingon garbage scowl. Finding employment in the meantime I continued to have dreams of the stars. Then it came to me one day, I could purchase a telescope, not the best telescope but one that would be better than the plastic tube with telescope glass in it for certain. So I went about the business of purchasing one. In the package I purchased I also acquired a camera for the telescope. Needless to say the first night out was amazing. I took several minutes of video of the Moon and looked at Jupiter and its Moons. But I wanted more. Discovering that I could use my smartphone with an adapter to take photos and video through my telescope opened up a whole new world for me. Sure traveling at light speed, the stars whisking by like fireflies in the country field below my house was fine, but I needed some different. Some surprises or two. Did I get a few surprises and then some.
The first night I used my smart device to take photos I found that I hadn't set the shutter and ISO speed properly, according to what the Pretty Picture People were telling me were the correct settings. I didn't mind the weird photos I had taken though, something seemed mystical about them.
Beta Lyrae Aa or Sheliak taken through my 127mm Mak/Cass optical.
As you can tell the filaments, the artifacts around each star, are very inviting to the senses. They stir up the mind with imagination.
Here is a plate of filaments that appear golden in color.
During the long Winter months not being able to go outside and shoot the night I started to go back through my photos using Corel and GIMP 2.8. In the background of the darker filaments I seen odd patterns starting to emerge. Like words such as JOXEY. I remind you these are real filaments extract from the photos that I have taken of stars. The JOXEY filament was found in a photo taken of Vega. I know you will want to say that its just pareidolia, seeing "insects in rocks on Mars." Well this isn't Mars and these aren't insects. Most of these filaments, other than the star itself is most likely dust particles reflecting and absorbing light. But what are dust particles?
Dust is made of fine particles of solid matter. On Earth, it generally consists of particles in the atmosphere that come from various sources such as soil, dust lifted by wind (an aeolian process), volcanic eruptions, and pollution. So basically what you are looking at are millions of particles of soil, pollution and even particles of meteorites reflecting and absorbing the light. The filaments are therefore between the star being viewed and the primary glass of my optical. In most cases the filaments are sitting directly on the primary glass itself.
Not going into the more gross aspects of what dust is, such as human skin for example, other filaments would also be spores and fungi as well. When looking at these photos the brighter the filament means that the filament is closer to my optical, darker means that the filament is further away or underneath of the filament above it.
Okay enough of the boring talk. Here is the JOXEY filament I found in the Vega photo.
I wouldn't have found this filament if I hadn't turned the lighting and contrast up in the original photo of Vega. It was like being in a room full of dilithium and not knowing dilithium was even there until the lights went on. You're probably saying "that's impossible," light and dust can't do that. You would be correct. Light and dust particles do not form complex letters, let alone creating words at an even more complex angle of 90 degrees. Trying to discount every aspect of how such a filament would exist, I ran the particulars through a computer.
1.Government using a satellite to create such filaments.
2.Foreign government using a satellite to create such filaments.
These were the first and second parameters I ran through the computer. But the end results only proved that such a mission to create fake filaments would be too costly to develop and then send into space.
Then I came across the the filament of the female warrior seen below. You can tell that the filament is obviously a female. She also has what appears to be a staff or a bladed weapon in her right hand and a banner with what appears to be a tree on it around her waist. Remember the Tree on the Banner as it is important later on.
Finding such a filament excited me very much. How can light and dust form such a perfect shape in space or the atmosphere of Earth? It's nearly impossible for a random filament like the Vanant of Vega to take form. Not to mention that the light from Vega taking 25 light years to reach Earth and at the exact moment I took the photo all of the filaments were in perfect alignment. I thought "this has to be fake." Rather not fake but purposely put into the viewing range of my telescope by governments is some elaborate ruse. But once again timing would have to be perfect such a fake filament to be created. I then thought, "well maybe someone TRIBBLE into my phone and put these weird filaments in the photo", which made more sense, economically at least. I then started running tests on the photos using different effects such as contours that shapes each filament into a contour. If the filaments had been put in through a hack then the contour effect would have shown the TRIBBLE filament differently then a natural contour.
I'm getting to the art aspect in a moment, be patient.
The Vanant of Vega in Contours, all 100%, in Corel PSP.
Then it happened, I began to feel myself being pulled out of time and into a Universe inside of my dreams. Dreams of people with gnarled and decayed looking faces under hoods of gray tunics. Entering the dream in a tunnel made of soil I went to the left first and looked around the corner. A flat plain of gray brown soil with nothing growing. Far off on the horizon a mountain range veiled by by gray fog. Above the mountains, a large white crescent of a planet. Several people starting walking towards me. They were thin but not hungry thin. They were robed in grayish brown robes with hoods over their heads. What I could make of their faces presented an elongated egg like shape, thin though. Their eyes, their eyes seemed so hurt, like they were lost, mouths drawn taught with no expression. They were slightly shorter than I was. There was even a child that was ushered towards me from one of figures behind the lead figure. But I turned and walked to the right before the child could get to me. Even though a dream, maybe it wasn't, the fear of getting to close to the people pulled me away. Moving out of the right side of the tunnel I then seen thousands of people clad in the same garments. Some of their faces were gnarled but really grotesque, just different looking really. A feeling you would get when seeing a Klingon or Vulcan for the first time. Some of them were excited and talked amongst themselves in a language just as odd as their faces. Fearing that they were going to attack me, I suddenly felt myself being lifted into the air above them. Right before the dream ended I looked to the left again and noticed that the child was looking up at me. Another being also had what appeared to be be a baby in her arms that was looking up at me at well.
This dream took place about a year before I purchased my telescope. In another photo taken of Vega I found this filament that I call Star Child. The filament is highlighted and is near the right side of the photo.
What is even more odd just came to me. Could the tunnel that I was working in when I broke and split open my finger have been timeline of these beings guiding me from my dream to the events that led to me finding them in my photos? Why did I happen to and randomly take photos of Vega and Sheliak after a survey of Moon? Such precision can only exist in the form of alien intelligence or a soul guiding such events taking place. Was that tunnel at the demo site the beginning of the test for me that I had seen in my dream?
This is an image of Star Child that I extracted from the original image. Using another effect that highlights shadows using different color settings the shape of Star Child finally emerged. Just like the Vanant of Vega light and dust do not create such perfect form. The filament is in fact that of a child with two legs, a head and two arms. One arm is even holding onto what I call a "teddy bear."
Other dreams that I have had involving a tunnel started out on what can only be called a container of a life boat of some type. In the dream the inside of the lifeboat was rectangular in design. From where I was standing and viewing the dream had to have been on the right side of the lifeboat as the eight rows of seats four deep were aligned near the front left corner with a curved podium in front and a view screen behind the podium. To the right of the view screen was what appeared to be a hangar bay door. Several people were having a discussion, all humans, some men and some women. Then I heard a loud thud coming from the outside. Right away I said it was the Voyager probe. As I moved towards the left bulkhead I viewed the darkness of space outside of the life boat as if I was on the outside of the lifeboat itself. The Voyager probe then moved in front of the life boat and began to move away at a faster rate of speed until it disappeared. Next, I woke up on the floor the of the life boat, the rear hatch open and sunlight bathing the green and gray pasture. Beyond the pasture was a section of tall trees, very tall trees that were a mix a maples, birches, oaks and pines. There were some ground plants as well. Getting up I looked around but none of the other crew were in the lifeboat. Feeling alone I started to walk towards the hatch when it suddenly closed. A voice very gently said "You don't have too go out there." Not feeling alone at that moment I got the courage to open the hatch and walk through it. Upon leaving the hatch and to my right there was a large mound of dirt. Turning back to look into the life boat for some reason I then returned my eyes to the mound of dirt. There before me was a very large and muscular being, light blue and gray skinned who just grinned at me and pointed to his left, my right. Coming around the lifeboat I finally saw that it looked like an escape pod from a starship. It was rectangular in shape. No markings of origin but it was obvious that it had crashed. I then turned to my left and before me off in the distance, maybe a 100 km or so was a great pyramid, similar to a Borg Pyramid but instead of the dismal green lighting the hull was a brilliant and rough titanium type of metal that reflected the sunlight but was still dull. All around the pyramid was a great maze. On either side of the road leading to the maze were the same great trees behind me, set off the road about 100 yards. Between the road and forest were plants, green leafed plants. The plants were very similar to the Ngetal Reed but had very thin and and see through stems that led from the center of the plant that had a light yellow cone shaped flower on top. The stems of the plants all flowed in the wind that I could not feel in perfect motion back and forth. Not a single one was out of harmony with the other. The perfect flow of harmony. Then it started too rain. The rain was gray colored. As I looked at the pyramid I watched as a cloud fog descended from above it and around it that slowly rolled towards me until the dream ended and I woke up.
Twin mountains with sun in the middle -
The Flying Vanant of Vega in her Garden -
Another dream that I had started out with me flying over an ocean until I came to a small island in the middle of the ocean. As I watched, the water slowly revealed that the mountain was in fact a great spire, sorta like a pyramid stretched tall. The water, seeming like it was being drained away revealed a bleak land of brown, no life. Just the great towering spire above me. I then watched as the pod circled around the spire and then left the planet.
One last dream before I get on with the filaments.
In this dream I was in a single seat ship, maybe a pod. I could see out of the front windows as well as seeing the control panel in front of me beeping different colors. Then without warning I felt myself outside of the pod with the pod nowhere around me. I felt very alone at that moment until I watched myself from the outside once again. As I watched I could see a bright glow reflecting off of the silver protective face shield of my helmet. I felt as if something was reaching for me. When I looked again there was a circle of space that wasn't nearly as dark as the rest of space. In this space there were three figures. Each clothed in glowing robes with heads covering their heads. I couldn't see their faces only the glow of their eyes. I could see that the one closest to me had arms at their sides that disappeared into the darkness of space at around the elbow. I tried to get closer but a brilliant flash of sun colored light brought me out of the dream.
For many years I wondered what the dreams could have meant. It wasn't until I found Star Child, the Vanant. Star Baby, the Lamassu and Ankh of Vega, did I finally understand.
Star Baby -
Lamassu of Vega looking through a portal -
Ankh of Vega -
Remember the Tree on the Vanant's banner? If you look to the left of the Ankh you can see Tree with a base that is shaped in a triangle with an X at the bottom. I'm not certain what the X means but the black tree on the banner opposed to the white tree on the banner of the Vanant could be significant.
Other filaments include the word IF -
The letters for the word Sight found in the photo taken of Sheliak -
Being an artist who loves space exploration and the unknown I began to have a feeling, a connection to something that I had felt most of my life but had never been able to put a finger on what I felt or was feeling. As I looked through the filaments and my dreams started to connect with the filaments I felt inclined to mold and sculpt the filaments in art.
This one I call "Two Young Boys Uplifting the Spirit of The World Together" -
In this piece, like every piece of Stardust Art I have created, all of the colors and shapes have come directly from filaments taken from the photos of Vega and Sheliak.
I have a piece that will have two young girls and a young boy and a young girl in the same piece uplifting the spirit. I just haven't gotten around to working them.
I started to ask myself, "Why was I creating these pieces of artwork?" The key word is creation.
This is a long read on my aspect of Creation - https://www.reddit.com/r/RevenantStardust/
Basically, we can see in the visible light, the Seen Light. We cannot see the invisible light or the Unseen Light, accept with special equipment and cameras. What we see of Creation in the Seen Light is amazing, the life force is omniscient. But what about the Unseen Light? Is that light not as powerful as the Unseen Light? How many times have you heard the saying "Follow your dreams?" How much of today's and future societies have been and will be built on the dream? When we work the filaments of Unseen Light in photos taken of night sky, the planets and Moon we give life to that which would never have been seen, ever noticed and always regulated to the darkness. When we give life to the Unseen Light we complete the Three Parts of the Whole. Creation's Light both seen and Unseen, God's teachings of Creation and ourselves.
In this piece that I worked from the same photo of Star Child, I worked the filaments into a sense of Star Child receiving the instructions of Creation from God who then passes those instructions onto the the first borne of sentient life across the Universe. From there the first sentient life in the Universe, keeping their secrets hidden from the darkness, painted on dirty little cave walls what had been passed onto us. If sentient life were to ever forget the Three Parts of the Whole then we would fall from the grace of Creation herself into the bottomless abyss of the Darkness where we would become nothing more than meaningless nodes in the design of Those From Beyond the Void.
Filaments from the Star Child photo of Vega -
Filaments worked into a piece of artwork that the darkness despises -
The hooded people with gnarled faces worked. The gnarled face is from another section in the Vanant of Vega photo.
The Midnight Reaper of Vega
What I am convinced of is that Mycelium Network is real and just like Ripper who was connected to the network was able to instantly travel across the galaxy the same is true of our thoughts and the thoughts of alien races. Somehow, someway the spores that are in the atmosphere during the spring, summer and fall, when most humans are there happiest and release a lot chemical energy, that such energy is picked up by the Mycelium Network and is then molded into life by the spores themselves. I'm not certain how they do it, but its the only logical explanation left.
In this photo I have shown six filaments that I have no idea what they are or what they are doing in the same photo of the Stone Map of Babylon. Being very careful you can see that most of the pieces of each filament fit into the stone map somewhere. These are all the same type of filaments that have been captured in various movements through time and doing, what ever it is they are doing.
These filaments do relate to a prominent series of constellations seen from Earth as well.
This is a screen capture I took of the prominent stars and constellations near Vega -
You can see the same shape of the filaments in the constellation.
Could these three be what the Mycelians look like?
Or are these Mycelians?
Or is this what the Mycelians in the Mycelium Network evolve into from the Big Heads?
I do need some sleep. But I will post more later on. For now I leave you with section of filaments from the Sheliak photo.
Give the Unseen Light filaments life and I can guarantee that you will eventually be able to access the Mycelium Network as well.
But most importantly you will give life to the Unseen Light around you. No more fear of what goes "bump" in the night as your dreams make that "bump" your creation.
I found a really good online mycology library - https://mycology.adelaide.edu.au/
Now comes the arduous task of finding my little spores. The problem that I will run into most likely will be that if Star Child and Star Baby are in fact some type of spore, fungi, algae or yeast like life, then such data would be locked away in some forbidden knowledge vault. After all if mycologists were able to determine that such a spore that resembled the human form existed, then there goes the notion of Earth based religions being all knowing and exact without actually knowing, right out the window with the baby and tub of washing water.