test content
What is the Arc Client?
Install Arc

Agents of Yesterday: Canon TOS designs?

I'd like to preface my question by say I'm supremely excited for AoY as The Original Series is my favorite era, always ex-astris-scientia.org/articles/sftm.htmfederation-sftm.gif
federation-sftm.gif
federation-sftm.gif
federation-sftm.gif
will be. The new TOS ship are very interesting and quite original; I give the designers alot of kudos for their creativity. To my question, if any of the designers are listening in Cryptic-land, will we get any of the classic canon designs that have been in the TOS since the beginning? I'm speaking of ships like the Federation-class -- the amazing 3-nacelled battleship -- and the single-nacelle scout Hermes-class. They've been around since Gene Roddenberry and his writers created the official Star Trek technical manual. It would be great to see them in AoY at some point and truely honor all aspects of TOS history. Thanks for listening.
«1

Answers

  • daveynydaveyny Member Posts: 8,227 Arc User
    edited June 2016
    Apparently..., and I can't find the original post at the moment..., we've been told that all the starship designs from the Original Trek Technical Manual by Franz Joseph, are off-limits per CBS.
    So we won't be seeing any of those in the game.


    And I agree, that SUKS!
    :#
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
  • jonsillsjonsills Member Posts: 10,430 Arc User
    Franz' designs for the book, while fascinating and in line with the one Starfleet ship design we ever actually saw in TOS, aren't "canon" - or, from another point of view, they're just as "canon" as the designs that will be used here.

    I know, I was hoping for a Federation-class myself, but...​​
    Lorna-Wing-sig.png
  • daveynydaveyny Member Posts: 8,227 Arc User
    You can blame Gene Roddenberry for that FUBAR.
    By the time he got around to giving the OK for Franz Joseph to publish the Tech Manual and Deck Plans, Paramount had already assumed control of the IP and had given FJ permission to go ahead with the projects, as long as they got a hefty percentage of the profits.
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    daveyny wrote: »
    You can blame Gene Roddenberry for that FUBAR.
    By the time he got around to giving the OK for Franz Joseph to publish the Tech Manual and Deck Plans, Paramount had already assumed control of the IP and had given FJ permission to go ahead with the projects, as long as they got a hefty percentage of the profits.

    I can believe that Paramount would have let this slip (Nobody figured any of this would last beyond a few years). That wouldn't have happened under Gene. He famously wrote lyrics to the theme song so that he could get paid every time the show aired (which was the deal that Alexander Courage insisted upon. Gene just piggybacked on his contract).
  • jonsillsjonsills Member Posts: 10,430 Arc User
    Not Courage's fault, actually - those were standard ASCAP rules; if your tune got played, you got paid. There was a bylaw that split the money between the person who wrote the tune and the one who wrote the lyrics, even if the lyrics weren't performed, which is why Gene cobbled together that godawful doggerel. (That's also why the producers of Gilligan's Island also wrote the show's theme song.)​​
    Lorna-Wing-sig.png
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    jonsills wrote: »
    Not Courage's fault, actually - those were standard ASCAP rules; if your tune got played, you got paid. There was a bylaw that split the money between the person who wrote the tune and the one who wrote the lyrics, even if the lyrics weren't performed, which is why Gene cobbled together that godawful doggerel. (That's also why the producers of Gilligan's Island also wrote the show's theme song.)​​

    Actually, depending on the contract, music can be sold outright for an upfront fee and the purchaser then becomes the copyright holder, instead of the composer, which is why I mentioned that Courage set it up the way he did. But yeah, Gene got 50%, which is one of the reasons Courage never came back to the show after the first two episodes (he left to do another show, and was offered the chance to come back for season 2, but said no).

    Copyright...it's a mess. George Lucas is the master, since he had the smarts to get likenesses and everything in the contracts so that they were owned by Lucasfilm. Carrie Fisher used to joke that she had to pay George every time she looked in the mirror. :D

  • jonsillsjonsills Member Posts: 10,430 Arc User
    Copyright...it's a mess. George Lucas is the master, since he had the smarts to get likenesses and everything in the contracts so that they were owned by Lucasfilm. Carrie Fisher used to joke that she had to pay George every time she looked in the mirror.
    Yeah, that one was on the exec at 20th Century-Fox who decided that while they'd let Lucas make his little low-budget space film, it probably wasn't going anywhere, so there was no need to nail down merchandising rights. Some folks say the publishing houses that turned down the first Harry Potter novel made the biggest mistake in entertainment history; I say this one leaves it in the dust. That's the money that built Lucasfilm, LucasArts, Skywalker Sound, Industrial Light & Magic...​​
    Lorna-Wing-sig.png
  • nikeixnikeix Member Posts: 3,972 Arc User
    I thought the 'tech manual' was created as a sub-license of Star Fleet Battles folks - who have a separate branch of the Star Trek rights in perpetuity which the courts have upheld repeatedly. Annoys the hell out of CBS, but on the whole the two have reached a working equilibrium. One which includes CBS not touching anything that comes out of SFB sources.
  • iconiansiconians Member Posts: 6,987 Arc User
    This thread has been unusually educational. I wasn't aware of this legal mess, but it wouldn't surprise me if it was true.​​
    ExtxpTp.jpg
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    jonsills wrote: »
    Copyright...it's a mess. George Lucas is the master, since he had the smarts to get likenesses and everything in the contracts so that they were owned by Lucasfilm. Carrie Fisher used to joke that she had to pay George every time she looked in the mirror.
    Yeah, that one was on the exec at 20th Century-Fox who decided that while they'd let Lucas make his little low-budget space film, it probably wasn't going anywhere, so there was no need to nail down merchandising rights. Some folks say the publishing houses that turned down the first Harry Potter novel made the biggest mistake in entertainment history; I say this one leaves it in the dust. That's the money that built Lucasfilm, LucasArts, Skywalker Sound, Industrial Light & Magic...​​

    Yeah, well, nobody did merchandising on the scale that Lucas did back then, so giving up those rights seemed like nothing at the time.
    azrael605 wrote: »
    nikeix wrote: »
    I thought the 'tech manual' was created as a sub-license of Star Fleet Battles folks - who have a separate branch of the Star Trek rights in perpetuity which the courts have upheld repeatedly. Annoys the hell out of CBS, but on the whole the two have reached a working equilibrium. One which includes CBS not touching anything that comes out of SFB sources.

    The Tech Manual was not part of Star Fleet Battles.

    I've never really followed what was going on with the "Star Fleet Battles" thing, but it seems like a really interesting mess.

    memory-alpha.wikia.com/wiki/Star_Fleet_Battles

    Apparently they have limited rights to use the Tech Manual (though it's still a separate entity) and the Animated Series, but can't mention events or characters from the TOS movies or TNG and beyond. They can't really even mention Star Trek (at least I think that's the case, since it notes that they don't use Star Trek in the title) but can depict the ships, uniforms and props from the Original Series.


  • daveynydaveyny Member Posts: 8,227 Arc User
    edited June 2016
    Actually, by the time SFB got into the game, Franz Joseph was the exclusive rights holder of the Tech Manual and the Enterprise Deck Plans.
    SFB made their deal with Mr. Joseph and there was nothing Paramount could do about it except try to collect a share of the profits based on the use of the USS Enterprise.
    <shrug>
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
  • nikeixnikeix Member Posts: 3,972 Arc User
    Here's what I don't understand. These designs are clearly derivative work, little more than kitbashes using the parts of the Constitution put together differently. They are entirely dependent on Matt Jefferies original work, so how does Mr Joseph have any rights? I can't write fanfiction based on IP I don't own and claim any ownership over the work, how is this fanart (let's face it, that's what this is) any different? He was clearly playing with someone else's toys.

    They can hold rights separately because as I understand it Gene Rodenberry gave them those rights before CBS realized it had something they should thoroughly box up, and its derivative of the portion of the IP the SFB folks control - namely expanding on Star Fleet's range of ship designs for their setting and games. Paramount can't (or at least hasn't succeeded yet) in seizing those rights back from SFB. I believe in part because the agreement is either so incredibly simple there is not wiggle room or it may be entirely verbal and no longer subject to close scrutiny. To compare, consider the control Harmony Gold has over Macross in the United States without any time limits or expiration date, ever. IP law really was a LOT more primitive only a generation ago and things happened that would be absolutely inconceivable today.
    Moreover, I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?​​

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    Here's what I don't understand. These designs are clearly derivative work, little more than kitbashes using the parts of the Constitution put together differently. They are entirely dependent on Matt Jefferies original work, so how does Mr Joseph have any rights? I can't write fanfiction based on IP I don't own and claim any ownership over the work, how is this fanart (let's face it, that's what this is) any different? He was clearly playing with someone else's toys.

    Moreover, I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?​​

    It comes down to the details set down in the licensing agreement. If the contract stipulates that the Tech Manual and its contents are solely owned by the creator, than it doesn't matter that they're derivative of the original design.

    If you had a licensing agreement to write fiction based on the Star Trek IP, and that agreement stipulates that you retain ownership of the characters you create in that work of fiction, than CBS can't do a thing about it, regardless of if those characters use the same props, wear the same uniforms or anything else that exists within the bounds of CBS's trademark.

    It's similar to the Kzinti situation. It was an alien race that was created by author Larry Niven before the Animated Series, that he then chose to incorporate into the stories that he wrote for the show. He still retains the rights to that species though. (Similarly, the Daleks from Doctor Who are owned by the estate of author Terry Nation who created them and not by the BBC which produces Doctor Who).

    Bottom line is that it was a horribly written contract that gave away too much, and the lawyers for Paramount/CBS allowed it to happen.
  • melore1799melore1799 Member Posts: 11 Arc User
    Thanks to everyone that chimed in. Completely goofed on the pics but glad you guys got the point. Very interesting about the whole CBS mess although I think they can do more -- and have done more in the past -- just look at Star Trek: Legacy and Starfleet Command I & II.game.lk/gallery.php?gid=6083
  • dareaudareau Member Posts: 2,390 Arc User
    iconians wrote: »
    This thread has been unusually educational. I wasn't aware of this legal mess, but it wouldn't surprise me if it was true.​​

    At least on the Star Trek side, it is...

    Franz Joseph, in the early 70s, requested permission to make a "Technical Manual" off the Star Trek Property. In said deal, anything that was "canon" and reproduced in his book would be copyright Trek, anything he "derived" from Trek Properties would be "his" copyright.

    Which is, BTW, the cause of the "all starships need to have paired nacelles" commentary of Gene's, because HE wasn't included in on the deal, every time the Federation Dreadnought or the Hermes/Saladin Class or the Ptlomey class tug showed up anywhere on a screen, Mr. Joseph (and estate) gets paid, Gene does not. By denying the "ability" to go single-nacelle or triple-nacelle, the Hermes/Saladin & Federation classes couldn't be "canon" by any stretch of the imagination...

    Shortly after the tech manual's release, ADB (makers of StarFleet Battles) negotiated rights to the Tech Manual from Franz Joseph himself. That's why the Fed lineup uses the "lollipop" Destroyer, the "Connie" Cruiser, "Federation" Dreadnought, and Ptlomey Tug silhouettes - which then started a massive dustup because the Connie's copyright is still Trek's, and at the time (what, mid 70s?), Trek wasn't the big big name so when Steve Cole and the crew at ADB said "we'll pay you a little royalty for every set we manage to sell", CBS approved - caveating that while they could list the 1701 - Enterprise in their records, they were to avoid using Kirk, Spock, McCoy & Co., or the Enterprise in any endeavours outside of maybe the occasional shout-out of what was "canon", nothing outside the original series could be mentioned (so they aren't allowed to list NCC-1701-A Enterprise, or "officially" pull any TNG-related stuffs) but the rest was "alright"...

    And if you think all this was interesting, I wonder if the interwebs still has stories about how convoluted the licensing behind the Starfleet Command games was. They had to get a Trek License, ADB License, and maybe a Technical Manual license just to start the series...
    Detecting big-time "anti-old-school" bias here. NX? Lobi. TOS/TMP Connie? Super-promotion-box. (aka the two hardest ways to get ships) Excelsior & all 3 TNG "big hero" ships? C-Store. Please Equalize...

    To rob a line: [quote: Mariemaia Kushrenada] Forum Posting is much like an endless waltz. The three beats of war, peace and revolution continue on forever. However, opinions will change upon the reading of my post.[/quote]
  • captsolcaptsol Member Posts: 921 Arc User
    edited June 2016
    daveyny wrote: »
    Apparently..., and I can't find the original post at the moment..., we've been told that all the starship designs from the Original Trek Technical Manual by Franz Joseph, are off-limits per CBS.
    So we won't be seeing any of those in the game.


    And I agree, that SUKS!
    :#

    Yeah, it really does. Having the Federation class in the game would make the development of the Galaxy-X with its three nacelles make a lot more sense.
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    nikeix wrote: »
    I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.

    One could argue that the concept of adding a third nacelle onto a design is an obvious one that flows naturally and directly from the concepts established in TOS. The same could be said for a Dreadnought class. In fact, Diane Carey used both elements for the ship in her novel "Dreadnought!" and Mr Joseph took no action. How can he own the idea of "put a third nacelle on it!"?​​

    Again, it goes back to what he designed is what he owns.

    I couldn't go out there and make a ship that looks just like, or similar to the TOS constitution and use it for my own IP. Because CBS/Paramount owns that design and the elements of it.
  • daveynydaveyny Member Posts: 8,227 Arc User
    edited June 2016
    Just a heads up...

    It wasn't CBS back then, the Desilu Productions Company (Lucille Ball & Desi Arnez) was the first holder, then it got sold to Paramount Pictures/Gulf+Western in 1967.
    At that point it became part of Paramount Television.

    CBS didn't come into the picture till another merger in 2000 when Viacom (which owned CBS) bought Paramount.

    Then in 2005 Viacom split their Television and Movie production company's, at that point CBS was put in control of all the Television program libraries (including Star Trek) and Paramount went back to just being a movie production company.

    That's the very short version of how this all fell out over the last 50 years.
    B)
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
  • daveynydaveyny Member Posts: 8,227 Arc User
    edited June 2016
    nikeix wrote: »
    I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.

    One could argue that the concept of adding a third nacelle onto a design is an obvious one that flows naturally and directly from the concepts established in TOS. The same could be said for a Dreadnought class. In fact, Diane Carey used both elements for the ship in her novel "Dreadnought!" and Mr Joseph took no action. How can he own the idea of "put a third nacelle on it!"?​​

    Again, it goes back to what he designed is what he owns.

    I couldn't go out there and make a ship that looks just like, or similar to the TOS constitution and use it for my own IP. Because CBS/Paramount owns that design and the elements of it.

    Unless you're Alex Peters...

    b6656e8518dfe8b8ed677dd94770ec33.jpg
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    daveyny wrote: »
    Just a heads up...

    It wasn't CBS back then, the Desilu Productions Company (Lucille Ball & Desi Arnez) was the first holder, then it got sold to Paramount Pictures/Gulf+Western in 1967.
    At that point it became part of Paramount Television.

    CBS didn't come into the picture till another merger in 2000 when Viacom (which owned CBS) bought Paramount.

    Then in 2005 Viacom split their Television and Movie production company's, at that point CBS was put in control of all the Television program libraries (including Star Trek) and Paramount went back to just being a movie production company.

    That's the very short version of how this all fell out over the last 50 years.
    B)

    You are correct. But sometimes it's just easier to short hand the copyright holder to CBS, since that's who we're generally used to talking about - and it's confusing referencing all of the different rights holders across the last 50 years to make a point. That and right now it's CBS that is kept from using these designs because of the deals that were made back then.
  • phenomenaut01phenomenaut01 Member Posts: 714 Arc User
    daveyny wrote: »
    nikeix wrote: »
    I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.

    One could argue that the concept of adding a third nacelle onto a design is an obvious one that flows naturally and directly from the concepts established in TOS. The same could be said for a Dreadnought class. In fact, Diane Carey used both elements for the ship in her novel "Dreadnought!" and Mr Joseph took no action. How can he own the idea of "put a third nacelle on it!"?​​

    Again, it goes back to what he designed is what he owns.

    I couldn't go out there and make a ship that looks just like, or similar to the TOS constitution and use it for my own IP. Because CBS/Paramount owns that design and the elements of it.

    Unless you're Alex Peters...

    b6656e8518dfe8b8ed677dd94770ec33.jpg

    At the risk of derailing this thread...he's not using the designs for his own IP. He - both wrongfully and rightfully assumed given the fact that CBS and Paramount have a history of allowing fan films to be created using the elements of the shows and movies, that he could do the same for his own fan film.

    Let's not get into where he allegedly went wrong there. There's been a few threads on that already that have been shut down, and I don't see the point of going through all that again by hijacking this one really.
  • iconiansiconians Member Posts: 6,987 Arc User
    daveyny wrote: »
    nikeix wrote: »
    I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.

    One could argue that the concept of adding a third nacelle onto a design is an obvious one that flows naturally and directly from the concepts established in TOS. The same could be said for a Dreadnought class. In fact, Diane Carey used both elements for the ship in her novel "Dreadnought!" and Mr Joseph took no action. How can he own the idea of "put a third nacelle on it!"?

    Again, it goes back to what he designed is what he owns.

    I couldn't go out there and make a ship that looks just like, or similar to the TOS constitution and use it for my own IP. Because CBS/Paramount owns that design and the elements of it.

    Unless you're Alex Peters...

    b6656e8518dfe8b8ed677dd94770ec33.jpg

    At the risk of derailing this thread...he's not using the designs for his own IP. He - both wrongfully and rightfully assumed given the fact that CBS and Paramount have a history of allowing fan films to be created using the elements of the shows and movies, that he could do the same for his own fan film.

    Let's not get into where he allegedly went wrong there. There's been a few threads on that already that have been shut down, and I don't see the point of going through all that again by hijacking this one really.

    You aren't fooling anybody, Alex Peters.​​
    ExtxpTp.jpg
  • daveynydaveyny Member Posts: 8,227 Arc User
    edited June 2016
    iconians wrote: »
    daveyny wrote: »
    nikeix wrote: »
    I cannot see how Mr Joseph can own the concept of, say, a larger ship with three warp nacelles or the concept of a Starfleet Dreadnought class. If CBS or Cryptic wished to create their own version of the concept, say one with a beefed up saucer and dual impulse engines straddling the central neck and avoiding the odd reversed secondary hull and backwards facing dish... could Joseph or his estate really say anything?

    If they could make the case that it was inspired by and derivative of the designs they control, they'd eat CBS alive by the same rules CBS exerts on others. Make no mistake CBS/Paramount give those guy a wide berth, and in most cases that's really a non-issue for them as they DON'T do nostalgia work like Cryptic is trying to cash in on with AoY.

    One could argue that the concept of adding a third nacelle onto a design is an obvious one that flows naturally and directly from the concepts established in TOS. The same could be said for a Dreadnought class. In fact, Diane Carey used both elements for the ship in her novel "Dreadnought!" and Mr Joseph took no action. How can he own the idea of "put a third nacelle on it!"?

    Again, it goes back to what he designed is what he owns.

    I couldn't go out there and make a ship that looks just like, or similar to the TOS constitution and use it for my own IP. Because CBS/Paramount owns that design and the elements of it.

    Unless you're Alex Peters...

    b6656e8518dfe8b8ed677dd94770ec33.jpg

    At the risk of derailing this thread...he's not using the designs for his own IP. He - both wrongfully and rightfully assumed given the fact that CBS and Paramount have a history of allowing fan films to be created using the elements of the shows and movies, that he could do the same for his own fan film.

    Let's not get into where he allegedly went wrong there. There's been a few threads on that already that have been shut down, and I don't see the point of going through all that again by hijacking this one really.

    You aren't fooling anybody, Alex Peters.​​

    Damn it, I LoL'd too much again...


    And I was just going for the joke there.
    Not really looking to rehash that particular topic.
    B)
    STO Member since February 2009.
    I Was A Trekkie Before It Was Cool ... Sept. 8th, 1966 ... Not To Mention Before Most Folks Around Here Were Born!
    Forever a STO Veteran-Minion
    upside-down-banana-smiley-emoticon.gif
Sign In or Register to comment.