Last week, I attempted to play STO without the built-in music for the first time... instead, opting for a small playlist of Ron Jones' music from "Booby Trap" and "The Best of Both Worlds." And, it was cool! So, it got me thinking... who is your favorite composer? (Yes, you only can pick one!)
Who is your favorite 'Trek' composer? 27 votes
Ron Jones
2 votes
Jay Chattaway
1 vote
0
Comments
Goldsmith and Horner are classics, for sure... and I also like Giacchino a lot, but Jones is just so unique.
Ron Jones--Best of Both Worlds
Jerry Goldsmith--First Contact
Michael Giacchino--Into Darkness
Best of Both Worlds is the best and most memorable score the show ever saw on TV, no contest. We all know exactly how the music sounds at critical moments: "We have engaged the Borg:" "Mr. Worf--FIRE."
Though very different in approach, the First Contact score is also an amazing, creepy accompaniment to the Borg that really contributes to its atmosphere.
Into Darkness...I don't care what you think of the movie. The score is outstanding. "Ode to Harrison," a track that only came out on the limited edition version, would pretty much be my theme music if I could have a personal film score.
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Except for Scorpion. The 8472 battle music was probably the only stand out piece of music from the post Jones era.
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If I recall correctly...making the music generic was intentional on the part of the Powers That Be when Ron Jones was dismissed.
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Cliff Eidelman, who managed to create a suitably ominous and character driven score for Undiscovered Country.
I didn't "forget" him... he's just known for one major Trek outing. All the others were used multiple times in Trek history.
Indeed it was. Jones was let go because his music was too good, and in the words of Braga (I think it was him, whoever it was that took over from Gene), his music was overpowering the scenes and people were focusing on the music instead of what was happening on the screen. Which is stupid, because it's basically saying he was fired for being too good. Is it any wonder few scenes reached the level of tension in the post Jones era?
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This piece was not actually put in the movie, but it is on the Limited Edition CD for Into Darkness. It's Khan's theme and it REALLY shows (IMO) the difference between this version of the character and the one in the original version. (For me, this one is actually saner than in TWOK and more interesting, despite some missed opportunities Abrams had.)
https://www.youtube.com/watch?v=K2LYbXIYlP8
An incredibly beautiful, moving piece, and this right here is one of the reasons Michael Giacchino is in a triple tie, for me. I re-bought the Into Darkness score when the Limited Edition came out, exactly so I could get my hands on this. I haven't regretted my purchase in the slightest.
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I hum the main theme from the new films when I drop out of warp into a mission or queue.
Norway and Yeager dammit... I still want my Typhoon and Jupiter though.
JJ Trek The Kelvin Timeline is just Trek and it's fully canon... get over it. But I still prefer TAR.
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'...I can tell you that we're not in the military and that we intend no harm to the whales.' Kirk: The Voyage Home
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'...The Federation. Starfleet. We're not a military agency.' Scotty: Beyond
'I'm not a soldier anymore. I'm an engineer.' Miles O'Brien: Empok Nor
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TOS generally had great music to accompany the drama (or humor) of every scene. The Doomsday Machine music in particular was just superbly done.
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